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In Clea Simon‘s new novel World Enough, it’s 2007 and former music journalist Tara Winton revisits her mid-1980s beat—Boston’s punk rock club scene—in the wake of the apparently accidental death of one of the scene’s prominent musicians. The clash of recollections of her fellow clubsters, though, reveals secrets that many would rather stay buried rather than appear in the article Tara would like to be an elegy to the music and its community



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